Empowering remediation with Land Art

It's not a case of the art-world versus ‘the outside’, but an art-world versus hidden commitments.

Regeneration Zones, UK

Not Not Fireworks

Bringing a complex frontier, to life, between spatial politics and cultural change. Where the production of contemporary art subjectivity becomes a crucial site for analysing and intervening in reproductions of ‘nature’. The mediation is the message.

Glasgow
a man wearing a dark raincoat walking down a dimly-lit street at night
the sea's horizon on a sunny day, photographed by a disposable camera from the beach

“For the lay art audience, the materials are static deliverables with a fixed net worth. For the professional artist, however, the materials are in flux and must be moved onto another speculative configuration to facilitate asset backed securitization.”

Dr Neil Mullholland, Research Explorer

Amazing Richard Parry Land Art In Real Life

figure in a thicket

Mnichov district, Czech Republic, 2017

Land Art Common Land (Collective project with Klasse Pryde / Sculpture Studio UMPRUMM)

hilly, verdant, landscape

Asia district, Peru, 2016

Offset Critical High Ground (with Oscar Murillo), accessible by dune buggy

sailing man

Kilifi Creek, Kenya, 2015

Offset GUILTY (after Jeff Koons And Ivana Porfiri), experienceable by Capt. Issa's boat

submerged picture plane in a lagoon

Venetian Lagoon, 2013

Commissione Privata (commission), accessible by vapouretto

running figure reflected in a shoreline

The North Sea, 2011

Salon Neu (with Embassy Gallery members), experienced from Peru

a gathering of people in a post-industrial wasteland

The Interzone / Narnia, 2011

Ballard in Narnia (with Merlin Carpenter), accessible by canoe