Powering remediation with Land Art
It's not a case of the art-world versus ‘the outside’, but an art-world versus hidden commitments.
Regeneration Zones, UK
Not Not Fireworks
Bringing a complex frontier, to life, between spatial politics and cultural change. Where the production of contemporary art subjectivity becomes a crucial site for analysing and intervening in reproductions of ‘nature’. The mediation is the message.
“For the lay art audience, the materials are static deliverables with a fixed net worth. For the professional artist, however, the materials are in flux and must be moved onto another speculative configuration to facilitate asset backed securitization.”
Dr Neil Mullholland, Research Explorer
Richard Parry Land Art In Real Life
Mnichov district, Czech Republic, 2017
Land Art Common Land (Collective project with Klasse Pryde / Sculpture Studio UMPRUMM)
Asia district, Peru, 2016
Offset Critical High Ground (with Oscar Murillo), accessible by dune buggy
Kilifi Creek, Kenya, 2015
Offset GUILTY (after Jeff Koons And Ivana Porfiri), experienceable by Capt. Issa's boat
The North Sea, 2011
Salon Neu (with Embassy Gallery members), experienceable from Peru only
The Interzone / Narnia, 2011
Ballard in Narnia (with Merlin Carpenter), accessible by canoe