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About

About Richard Parry

Glasgow, 2020

Richard Parry was born in Hull in 1983 and graduated from Goldsmiths College in 2006 with a joint honours degree in Fine Art and History of Art. In 2006 he started a studio in London for the purposes of contemporary art. From 2005 to 2014 he worked at Christie's auctioneers and coordinated New Dome exhibitions with artists of his generation. In 2010, he inaugurated his first Museum exhibition of counterfeit readymades, at the National Gallery of Zimbabwe during Harare International Festival of Art.

In fourteen years Richard's Land Art has developed into a constellation of fifteen works across Europe, Africa and The Americas. His painting studio, located with the Lewisham Art House cooperative in the former Deptford Central Library, regularly hosts events and welcomes guests. Since 2009, a decentralised, networked painting project called OBEY has been developed and made available for distribution at multiple points throughout each year.

Between 2016-18, Richard taught at the University of Arts Berlin, involving the collective purchase of some land in the Czech Republic, in collaboration with students of The Academy of Arts, Architecture and Design in Prague. He was awarded the Emerging Artist Award at the Whitechapel gallery in 2011. Richard is Lay Representative for the Lewisham and Greenwich NHS Trust Art committee and a member of the Lewisham Art House co-operative.
Artist CV
Richard Parry Artist CV
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Land Art

2017 - Hull UK City of Culture 2017, UK: Firewalls For The New Sensationalist

2016 - Distrito de Asia, Peru: Offset Critical High Ground (w. Oscar Murillo)

2016 - Anderston / Glasgow International, UK: Not Not Fireworks

2015 - Margate Sands / Turner Contemporary, UK: Not Not Fireworks

2015 - Kilifi Creek, Kenya: GUILTY (after Jeff Koons And Ivana Porfiri)

2015 - La Biennale di Venezia 2015 / Laguna di Venezia, Italy: Post Collateral Event

2014 - Astrup Fearnley Museum, Norway: Art Zimbabwe

2014 - Social Ceramics, London: MEws Projects / Brick Lane

2014 - Elephant & Castle / Regeneration Zone, UK: Not Not Fireworks

2013 - Gezira Beach, Somalia: Country On The Click

2013 - Nelson Mandela Place, Glasgow / Edinburgh Annuale, UK: Harare Conversations

2013 - Laguna di Venezia, Italy: Commissione Privata

2012 - The North Sea: Salon Neu

2011 - Water of Leith Walkway, UK: Young London

2011 - The Interzone, UK: Ballard in Narnia (w. Merlin Carpenter)

Solo Exhibitions

2020 - Haus zur Liebe: SWISS JAZZ Pts.2-9

2018 - Le Bourgeois: Painting exhibition inside a Mark E. Smith tribute foam party inside an emerging project space, inside Catford, inside London

2016 - Salon 4: Unplugged

2012 - Bloomberg SPACE: Elephant Paintings

2011 - The Institute of Socal Hypocrisy: Satellite Show

2010 - The National Gallery of Zimbabwe: Art Zimbabwe

2009 - MOT International

Two and Three-Person Exhibitions

2015 - narrative projects: Round Tripping - with Gareth Nyandoro

2015 - Astrup Fearnley Museet: Europe Europe / London - with Ed Atkins and Helen Marten

2008 - Wilfried Lentz Rotterdam: We came here To Get Laid, Not To Critique Dutch Culture - with Tom Ellis and Clunie Reid

2007 - Slaginc: Feminism, Fascism and Fisting - with Dagmar Schurrer

Group Exhibitions

2018 - The Church Painting Show w. Stefania Batoeva, Merlin Carpenter, Pete Caul, Ben Clark, Ruth Angel Edwards, Alice Fraser, Morag Keil, William Macpherson, Dawn Mellor, Sam Moore, Leon Sadler, Gili Tal, James Torbel, Danny West, Holly White, Liam Wright Higgins, Yorkson Yorkson, Luka Zade Rage

2018 - Hack w. FLAME, Nik Geene, Dan Mitchell, Alexander Nix, Josephine Pryde, Richard Sides, Mat Welch, Angharad Williams

2018 - Death Lolz w. Stuart Bannocks, Cammisa Buerhaus, Merlin Carpenter, Stephan Dillemuth, Jeremy Glogan, Georgie Nettell & Morag Keil, Dr. Robert Laing, Lolina, Tobias Madison, Dan Mitchell, Andrew Munks, Catherine Osterberg, Josephine Pryde, Jacques Rogers, John Russell, Richard Sides, Gili Tal, Marilyn Thompson, Lena Tutunjian, Angharad Williams

2017 - Low Definition w. anti cool, Jeff Keen, Hiromi Nakajima, Noriko Okaku, Tatsumi Orimoto, Iain Forsyth & Jane Pollard, Samantha Sweeting, Julia Waugh

2017 - The Heights w. Jenna Bliss, Sarah Cameron, Tobias Madison, Alan Michael, Georgie Nettell, Marysia Paruzel, Joanne Robertson, Lena Tutunjian, James Whittingham

2017 - Samstag_05.08. w. Mathis Gasser, Nik Geene, Ezra Gray, Morag Keil, Andrew Munks, Marta Riniker-Radich, Max Ruf, Lukas Schmenger, Gili Tal

2016 - Rough House w. Jenna Bliss, Theo Burt, Susanna Davies-Crook, Mathis Gasser, Nik Geene, Devin Kenny, Stuart Middleton, Oscar Murillo, Richard Sides, Gili Tal, Angharad Williams, Reece York

2015 - Italy w. Alice Theobald, Andrew Munks, Angharad Williams, Ben Wadler, Benjamin Doherty, Claire Boyd, Esmeralda Valencia Lindström, Geoffrey Betts, Heather Power, Luke Burton, Max Ruf, Mike Tuck, Noah Sherwood, Richard Sides, Sophie Michael, Susan Conte

2015 - Venice Agendas w. Kimbal Quist Bumstead, Tatsumi Orimoto, Richard Prince, Ruth Proctor, Alina Serban, Iain Sinclair

2015 - Balls w. Martin Creed, Rachel Lowe, Joao Ferro Martins, Bruno Pacheco, Yelena Popova, Ruth Proctor, Giorgio Sadotti, Elizabeth Wright

2015 - Accumulation, Displacement, Deletion, Rearrangement and Insistence w. Carlos Noronha Feio and Nastio Mosquito

2014 - World Music w. Vittorio Brodmann, Louisa Gagliardi, Renaud Jerez, Sasha Litvintseva, Stuart Middleton, Mark von Schlegell

2014 - New Dome w. Marcel Duchamp, Jeremy Glogan, Martin Kippenberger, Heather Power

2013 - New Dome w. Jorg Immendorff, Martin Kippenberger, Dan Mitchell, Richard Prince, Gili Tal

2013 - Intensive Care w. Rose Gibbs, Harold Offeh, Esther Planas

2011 - PORT w. Stephan Bruggeman, Merlin Carpenter, Dan Rees, Carey Young

2011 - Dazed Emerging Art Prize @ Whitechapel gallery w. Gabriele Beveridge, Ellie Harrison, Bruce Ingram, Samuel Levack & Jennifer Lewandowski

2010 - New Dome w. John Clayman, Jeremy Glogan, Alastair Mackinven, Dan Mitchell, Seth Pick, Josephine Pryde

Publications

Parry, Richard. 2018. Not Not Land Art. In: Season Five: An assortment of Contributions on Themes of Land, Art and Commons. Berlin: Universitat der Kunste Berlin, pp.114 - 121. ISBN 978-3-894632-305-0

Parry, Richard. 2018. Field Recording [CD]. 3236RLS

Parry, Richard, 2018. In: DEATH LOLZ, Dan Mitchell, Saim Demircan (eds). London

Parry, Richard. 2017. London, London. May Journal, No18

Parry, Richard. 2016. Swiss Jazz. London: artist book. National Art Library Special Collections 808.AS.0018

Parry, Richard 2016. JAZZ [EP]. Piper Keys

Stevens, Jamie. 2014. London. In: Europe Europe, Oslo: Astrup Fearnley Museum. ISBN 9788291430805

Parry, Richard, 2012. Satellite Show / Social Aesthetics. In: The Institute of Social Hypocrisy, Victor Boullet (ed). Paris: Frenetic Happiness ISBN 9780954401696

Parry, Richard, 2010. Whats A Computer? In: The Sound of Downloading Makes Me Want to Upload, Victor Boullet (ed). Paris: Lauren Monchar. ISBN 9780954401672

Parry, Richard. 2010. Art Zimbabwe. London: artist book

Teaching

2018 - Universität der Künste Berlin: Guest Professor

2016-7 - Universität der Künste Berlin: Guest Professor

2016-7 - Vysoká škola uměleckoprůmyslová v Praze: Guest Professor

2016 - Vysoká škola uměleckoprůmyslová v Praze: Assessment Committee

2015 - School Of The Damned London: Visiting Artist
Privacy
Privacy Notice

Welcome to richardparry.art (“Richard Parry” or “I”). Since graduating from Goldsmiths in 2006, I have developed my artwork alongside the trust of my collaborators, clients and audiences. I endeavor to understand their interest in art, at the same time, protect their privacy. I publish this Privacy Notice to let you know how I will collect, use, and protect personal information about you.

This Notice covers information that you give me when you bid on an artwork, purchase something from me, commission an artwork, register for or attend any of my events around the world, visit my studio or website, request a printed catalogue, sign up for any of my newsletters, or publish information on richardparry.art webpages on social media accounts.

Please note that I may offer you online bidding opportunities: you may leave a bid through my own artist website. Data about you will be collected and used according to this Notice. I may also arrange for other parties to allow you to participate in sales of Richard Parry artworks from their sites. The other parties may collect data about you and your participation according to their respective privacy policies. Those other parties will transfer data about you to me to fulfill successful transactions and I may also use that data in any manner consistent with this Notice. I recommend that you take a moment to check whether you are on another party’s website and review the posted privacy policy applicable to that site.

HOW RICHARD PARRY COLLECTS INFORMATION ABOUT YOU

Personal information is information, or a combination of pieces of information that could reasonably allow you to be identified. I will collect personal information about you from a variety of sources, including information I collect from you directly (e.g. when you contact me), information I collect about you from other sources and information I collect automatically from you, as described below:

Information I Collect Directly From You

What types of information I collect from you depends on how you get in touch with us and what information you choose to provide or make available to me. I collect information from you when you:

- Give us your data to make us able to give you a service, as the core of our business

- Submit questions, requests, other communications to us via email or other communication media

- Contact us for support through any media (human voice, phone, email, direct mail, etc.)

- Visit this website.

Information I Collect From Other Sources

I may make video or audio recordings of my events, exhibition spaces, and certain live events.

Information I Collect Automatically

I may use common data collection technologies as you visit my websites or interact with my emails. My logs gather date, time, information about your browser and system or device configuration, information about how you interact with my digital properties, and an IP address for all visitors to my sites. I use this information for my internal security purposes, for trend analysis and system administration, and to gather general information about my audiences and their geographic locations.

How I Use Information About You

I use data about you for the following purposes:

To manage and assure the integrity of my operations.

To fulfill your commissions and purchases, facilitate sales, provide the services, publications, catalogs, and information you request, and manage your enquiries and requests and to manage your relationship with me.

To send you information about upcoming events and content that you may be interested in.

To improve and personalize based on your inferred interests my website and services.

To expand my online audiences.

To provide, maintain, and protect my digital offerings.

To protect against risk of fraud by clients.

To protect and defend my rights and property, you, or third parties.

To comply with legal obligations to which I am subject and cooperate with regulators and law enforcement bodies.

For any other purpose that I tell you about specifically when you contact me or provide information about yourself to me.

WHEN I MAY DISCLOSE INFORMATION THAT IDENTIFIES YOU

I may disclose or transfer data that identifies you to other companies or entities only as follows:

To business partners and vendors that work on my behalf to provide services such as art transport, mailings, payment processing, fraud prevention and data storage.

To organizations I partner with to host events.

To law enforcement or other entities that present valid legal process or in my discretion, unless otherwise prohibited by law, to protect human safety, my rights, or the rights of others.

To meet certain legal compliance requirements for example, under AML (anti-money laundering) laws, or customs laws and regulations.

YOUR CHOICES

Receiving marketing messages from me. I may contact you by email.

You may stop email marketing by using the “opt out,” or “unsubscribe” mechanism at the bottom of my email marketing messages.

If you reside in the European Union (“EU”) you have the legal right to ask me not to process personal data about you for marketing purposes and to revoke your consent at any time. To make such a request, please contact mail@richardparry.studio.

INFORMATION SECURITY AND STORAGE

I protect your information using physical, technical, and administrative security measures to reduce the risks of loss, misuse, unauthorized access, disclosure, and alteration. Please be aware, though, that no security measures are perfect or impenetrable. I will keep your personal information for as long as I have a relationship with you. Once my relationship with you has come to an end, I will retain your personal information for a period of time that enables me to:

Maintain business records for analysis and/or audit purposes.

Comply with record retention requirements under the law or other relevant legal or regulatory requirements.

Defend or bring any existing or potential legal claims.

Deal with any complaints regarding the services.

Preserve historical records of transactions and property.

I will delete your personal information when it is no longer required for these purposes.

CHILDREN’S DATA

My websites are directed to adults, including young adults. They are not directed to children, particularly under those under the age of thirteen. I do not accept them as clients or knowingly collect data about them.

LINKS TO THIRD PARTY WEBSITES

My websites contain links to other websites not owned or controlled by me. Those websites may collect information about you. I am not responsible for their practices or content.

HOW TO CONTACT ME

For questions about this Privacy Notice please email me at mail@richardparry.studio or contact: Richard Parry
140 Lewisham Way
London SE14 6PD
United Kingdom

Who is responsible for your data?

If you transact in a private sale in the EEA or Switzerland Richard Parry will be the data controller for that data. My name and contact details will be set out in your purchase agreement, private sale agreement or invoice. If you visit richardparry.art, another Richard Parry website or use a Richard Parry app, then the data controller will be Richard Parry, a UK entity, and this Notice contains his contact details.

What is the legal basis on which I rely to process your data?

On some occasions, I processes your data with your consent (e.g., if you ask mey to send you information about upcoming events).

On other occasions, I processes your data when I need to do this to fulfill a contract with you (e.g., for billing purposes) or where I am required to do this by law (e.g., where I have to fulfill anti-money laundering requirements). If it is mandatory for you to provide data for these purposes, I will make this clear at the time and will also explain what will happen if you do not provide the data (e.g., that I will not be able to process a transaction).

I also process your data when it is my legitimate interest to do this and when these interests are not overridden by your data protection rights. For example, I have a legitimate interest in ensuring the security and integrity of my website, in learning about the interests and preferences of my current and prospective clients, in developing new business opportunities, in maintaining accurate business and provenance records, and in ensuring that my websites operates effectively. When I process personal information to meet my legitimate interests, I put in place robust safeguards to ensure that your privacy is protected and to ensure that my legitimate interests are not overridden by your interests or fundamental rights and freedoms.

Data transfers

I may transfer personal data to countries outside the EEA, including to countries which have different data protection standards to those which apply in the EEA.

Your rights

You may ask me for a copy of your personal information, to correct it, erase it, restrict my use of it, or to transfer it to other organisations at your request subject to local law. You also have rights to object to some processing and, where I have asked for your consent to process your data, to withdraw this consent. In particular, you have rights to object to direct marketing at any time. Where I process your data because I have a legitimate interest in doing so (as explained above), you also have a right to object to this. These rights may be limited in some situations – for example, where I can demonstrate that I have a legal requirement to process your data. If you would like to discuss or exercise such rights, please contact me at the details above. I encourage you to contact me to update or correct your information if it changes or if the personal information I hold about you is inaccurate. I will contact you if I need additional information from you in order to honor your requests. I hope that I can satisfy queries you may have about the way I process your data. I am committed to working with you to obtain a fair resolution of any complaint or concern about privacy. However, if you have unresolved concerns and believe that I have not been able to assist with your complaint or concern, you also have the right to complain to data protection authorities.

Changes to this Policy

You may request a copy of this Notice from me using the contact details set out above. I may modify or update this Notice from time to time. If I change this Notice, I will notify you of the changes by updating this Notice on my website. Where changes to this Notice will have a fundamental impact on the nature of the processing or otherwise have a substantial impact on you, I will give you sufficient advance notice so that you have the opportunity to exercise your rights (e.g., to object to the processing if you are located in the EEA or Switzerland).
Terms

Terms of Service

This document contains important information regarding your rights and obligations, as well as conditions, limitations, and exclusions that apply to you. Please read it carefully.

All artworks are subject to prior sale and taxes where applicable

Exhibiting Artwork

Please follow any installation, storage or display instructions made available with the Artwork. Please don’t change the Artwork. For example, don’t interfere with the arrangement of an installation, or try to change an Artwork's original method of display (including picture framing) other than by the instructions I provide. You may enjoy my Artworks only as permitted by law, including payment of applicable export and re-export control laws, regulations and duties.

Owning my Land Art does not give you ownership of any intellectual or territorial property rights, either of the Artwork's documentation or any situation/s the Artwork happens in. These terms do not grant you the right to use or circulate any visual, audio, or written materials used in, or alongside the Artwork without written permission from myself.

Sometimes, Artworks use content that is not mine. This content is the sole responsibility of the entity/entities that made, or continue to make it available.

In connection with your purchase, I may send you occasional event announcements, catalogues, christmas cards and other information. You may opt out of this communication at any time.

Ownership of Artwork

My artworks are diverse, so sometimes additional terms or ownership requirements (including exhibition requirements) may apply. Additional terms will be supplied with the relevant Artwork and those additional terms become part of your agreement for owning those Artworks.

I grant you a personal, worldwide, royalty-free, non-assignable and exclusive license to use the Artwork as provided to you. This license is for the sole purpose of enabling you to use and enjoy the benefit of the Artwork as provided to you, in the manner permitted by these terms. You may not copy, modify, distribute, offer for sale, sell, lease or reproduce our Artwork or any associated elements, unless you have my written permission first.

Land Art is important. Some elements in my Land Artworks may be offered under an open source license that I will make available to you, and others. There may be provisions in these open source Land Art licenses that expressly override some of the terms above.

My Warranties and Disclaimers

I produce Artworks using a commercially reasonable level of skill and care and hope that you will enjoy using them. But there are certain things that are not promised:

Other than as expressly set out in these terms or additional terms, neither Richard Parry nor his suppliers or distributors make any specific promises about artworks. For example, Richard Parry doesn’t make any commitments about the specific situation or functions of artworks, or their availability, or ability to meet your needs. All artwork is provided “as is”.

Cancellations and Returns

Since my first sale in 2006, there have been no returns.

However, should you wish to cancel a purchase after payment is made but before the artwork is shipped, please email me for a full refund. Should you wish to return an artwork after receipt, please keep the artwork in the original condition, in the original packaging (including the original delivery documents) and contact me within 14 days of it having left my studio. Return claims after this point will not be possible. Please do not return an artwork to me without first making contact. Richard Parry shall have sole discretion in determining a returned artwork's condition.

Liability for my Services

When permitted by law, Richard Parry and Richard Parry's suppliers and distributors, will not be responsible for lost profits, revenues, or data, financial losses or indirect, special, consequential, exemplary, or punitive damages.

These terms control the relationship between myself and you. They do not create any third party beneficiary rights.

If you do not comply with these terms, and I don’t take action right away, this doesn’t mean that I am giving up any rights that I may have (such as taking action in the future). If it turns out that a particular term is not enforceable, this will not affect any other terms.

Governing law and Jurisdiction

The Artwork, and any dispute or claim arising out of or in connection with it or its subject matter or formation (including non-contractual disputes or claims), shall be governed by, and construed in accordance with, English law, and the parties irrevocably submit to the exclusive jurisdiction of the courts of England and Wales.

How to contact me

For questions about these Terms of Service please email me at mail@richardparry.studio or contact: Richard Parry
140 Lewisham Way
London SE14 6PD
United Kingdom

Thank-you for reading
Weblinks
External weblinks you can use today
last updated 23.11.20
Archival pigment for blockchain enthusiasts

'London London', MAY Journal Article (PDF) | website

Open Letter to Sir Nicholas Serota | (you can use these sources)

National Art Library Special Collections - finger SWISS JAZZ today

Lewisham Art House